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Beginner

Does God Want Us to Use His Divine Name? Part 1

The Old Testament shows that God wants his people to use his personal name, which is why it is used nearly 7,000 times.

Andrew Case

Growing up, I understood that the name of God was “the Lord.” As I got older, I began to understand that when I saw the Lord in all caps, that meant that it was God’s special, divine name that he revealed to Moses. This seemed strange and confusing to me—adding a level of complexity to understanding a Bible that was already difficult enough for a teenager to understand. I don’t remember when it was that I first heard the name Yahweh pronounced, but when I went to seminary, I quickly realized that it was an accepted pronunciation and spelling for God’s name, especially in academic circles.

So how did we get to this point where nearly every English Bible uses “the Lord” (a title) in place of his personal name? Can we know how God’s name was originally pronounced? Shouldn’t we avoid using God’s name out of reverence for the sacred? Why didn’t the New Testament authors use God’s name? How do Bible translators decide whether they should render something like Yahweh or the Lord? These are all important questions that we will try to answer throughout this series. But first, we need to answer a foundational question: What is God’s revealed desire regarding the use and preservation of his name?

God’s desire

Many people think that God is offended by the pronunciation and use of his personal name in any and every context. For example, in Jewish circles there is a strong consensus that it is blasphemous to pronounce or even write God’s name, and that everyone must refer to him only through titles such as “Lord” or “The Name” out of respect and honor. The desire to fear God and treat his name with honor is to be commended, but Scripture teaches that this is done by loyal love and obedience, not by eliminating the pronunciation of his name (Deut. 28:58). In order to test this idea, we must turn to Scripture to understand what God wants us to do with his name.

Many people think that God is offended by the pronunciation and use of his personal name in any and every context.

Let’s begin with Exodus 3:15: “Say this to the people of Israel, ‘Yahweh (יהוה), the God of your fathers, the God of Abraham, the God of Isaac, and the God of Jacob, has sent me to you.’ This is my name forever, and thus I am to be remembered throughout all generations.” In Hebrew the last sentence reads literally: “This (is) my name forever, and this (is) my memorial/remembrance/mention (זכר zeker) to all generations.” Some versions like the NET Bible and KJV translate zeker as “memorial,” but the word in this context can be understood as implying the speaking of the name, since things that remain unspoken are usually lost in oral cultures. That’s why the NIV translates: “This is my name forever, the name you shall call me from generation to generation.”

In Isaiah 26:8 God’s name and “mention/remembrance” are paired together again, hearkening back to Exodus 3:15: “O Yahweh, … your name and remembrance (from zeker) are the desire of our soul.” The opposite of this remembrance is the grave, where Yahweh’s name is not heard: “For in death there is no remembrance (zeker) of you; in Sheol who will give you praise?” (Ps. 6:5, see also Eccles. 9:5). Hosea also echoes Exodus 3:15 when he writes, “Yahweh, the God of armies, Yahweh is his memorial name (zeker)” (Hos. 12:5). The psalmist also picks up the same theme: “Your name, O Yahweh, is everlasting, your remembrance, (zeker) O Yahweh, throughout all generations” (Ps. 135:13).

Thus, it’s clear that God wants us to remember/memorialize the name he revealed to Moses on Sinai, which many scholars pronounce as Yahweh. But what about the names of other gods?

Other gods’ names

If we return to Exodus, we find the verbal form of zeker used to prohibit the mentioning (and hence remembering) of the names of other gods: “and the names of other gods you shall not mention (tazkiru) nor shall they be heard upon your lips” (Exod. 23:13). The point of the verse is that God’s name is the only one worthy to be on people’s lips, and thus remembered and made famous. Other gods should not be allowed to compete with him in this arena.

In the same vein, Joshua says, “and the names of their gods you shall not mention (tazkiru) nor shall you swear by them nor shall you serve them nor shall you bow down to them” (Josh. 23:7). In other words, a unilateral agreement of silence when it comes to the names of the gods is a way of forgetting and belittling them, which will help the Israelites avoid swearing by them and serving them.

Evidence from vows

One of the practical ways God established the use and remembrance of his name was through vows. Scripture speaks clearly about this in Deuteronomy 6:13: “It is Yahweh your God you shall fear. Him you shall serve and by his name you shall swear” (see also Deut. 10:20). Jeremiah, as a faithful Torah student, reiterates the importance of this: “And it shall come to pass, if they will diligently learn the ways of my people, to swear by my name, ‘As Yahweh lives,’ even as they taught my people to swear by Baal, then they shall be built up in the midst of my people” (Jer. 12:16). This is a surprising promise to restore the other nations along with Judah, if they will learn the ways of Yahweh’s people.

Thus, it is clear that swearing by Yahweh’s name constitutes an important mark of those who belong to and follow him. Conversely, Yahweh places no value on avoiding the use of his name either out of reverence, or to avoid the risk of blasphemy. Consequently, to avoid using the name of Yahweh to make a vow would be to go against his explicit wishes.

Many people in the Hebrew Bible conform to Yahweh’s desire that his name be used to swear or vow. Boaz says to Ruth, “as Yahweh lives, I will redeem you” (Ruth 3:13). The people defend Jonathan to Saul by saying, “As Yahweh lives, there shall not one hair of his head fall to the ground” (1 Sam. 14:45). Even Saul says of David, “As Yahweh lives, he shall not be put to death” (1 Sam. 19:6). Elijah (1 Kings 17:1) and Micaiah (2 Chron. 18:13) are other examples.

Typical use of the name

If it were forbidden to use God’s name, we would expect that righteous men like Boaz and Elijah would refrain from using it. Yet that’s simply not the case. We even see evidence of the divine name in casual greetings. Ruth 2:4 reads, “Now Boaz came from Bethlehem and said to those harvesting, ‘May Yahweh be with you!’ And they answered him, ‘May Yahweh bless you!’” Although there is no uniform agreement among commentators about how casual or formulaic this greeting was, what is clear is that the divine name is being used in a non-religious context as a kind of greeting. The context gives more weight to the idea that this was a standard greeting like “Good morning!” This seems to be yet another practical way Yahweh’s name was remembered throughout generations (see also Judg. 6:12). The name was not considered too sacred to pronounce in everyday interactions.

Furthermore, it’s important to observe how Eli instructs young Samuel to address God in 1 Samuel 3:9: “Eli said to Samuel, “Go, lie down, and if he calls you, you shall say, ‘Speak, Yahweh, for your servant hears.’” It’s striking that a priest of God tells a little boy to call God by his name directly. One would think that if ancient Israelites had a strong custom of showing respect to God by addressing him only by “my Lord,” then Eli would have instructed Samuel to do so, but he did not. Given God’s love of children displayed throughout Scripture, it should come as no surprise that he welcomes them to call him by name.

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How God’s name differs

Finally, Yahweh made himself unique amidst the gods of the nations by revealing his own personal name. All the other gods around the Hebrews were called by titles or elements of creation that they ruled over or represented. Examples include Baal (“Lord”), Dagon (probably “grain”), and Molech (“ruler” melek, with the vowels of “shame” bosheth). It makes sense that pagan gods did not have personal names because they were not intended to be related to on a personal level, but rather to be manipulated in order to get the good life.

We lose this striking contrast between the pagan gods and Yahweh when we avoid using the personal name he revealed.

Thus, I might suggest that we lose this striking contrast between the pagan gods and Yahweh when we avoid using the personal name he revealed and only use a title. By only translating the name as “Lord” in the Old Testament, we may be unintentionally blinding the reader to this particular uniqueness of the one true God. Does this same criticism apply to the New Testament writers? Not at all, as we will see in a subsequent article.

Conclusion

God clearly wants his personal name to be remembered forever. And the best way to remember his name is to do what David and other biblical writers did: use his name freely, especially in prayer, praise, vows, and in retelling his marvelous works throughout history. No passage in Scripture forbids the use of God’s name, which is why it is used nearly 7,000 times by the biblical authors. So how did we lose God’s name in many traditions and Bible translations? We’ll treat this question in our next article in this series.

Related

  • Illustration by David Fassett
    How Was the Pronunciation of God’s Name Lost? Part 2

    Ancient tradition divides on the use of God’s name, with no clear reason why some banned it.

    Andrew Case

This article is in the public domain. You may freely use, share, and reproduce it. For a more in-depth treatment, see here.

Filed Under: Old Testament, Translation

Is the Earliest, Most Complete Hebrew Bible Going on Auction?

The sale of Codex Sassoon raises questions about what’s real and what’s hype about this important manuscript.

Kim Phillips

Usually, those of us who work on mediaeval Hebrew Bible manuscripts sit quietly in our libraries and try not to get under anyone’s feet. However, once in a blue moon we get our moment in the sun (if you’ll forgive the mixed metaphor), and one of our treasured manuscripts captures the public’s attention. Usually that’s because it is being sold.

 Such is the case with the recent flurry of interest in the Sassoon Codex, due to be auctioned by Sotheby’s in May of this year. According to the estimates, it is possible that the codex will sell for $50 million, and thereby become the most valuable historical document ever auctioned.

Sadly, looking at anything through the lens of a dollar sign can distort one’s vision of reality. Perhaps that is happening here. At any rate, what is certain is that a veritable dust cloud of exaggerations and half-truths are flying around in the press coverage of the imminent sale of Codex Sa$$oon. I would like to try and clear the air a little.

What is the Sassoon Codex?

The Sassoon Codex is a Hebrew Bible. Christians refer to the same text as the Old Testament. Many early mediaeval Hebrew Bible manuscripts only contain part of the scriptures: perhaps the Pentateuch only, or the prophetic books, or the Psalms. Relatively few early Hebrew Bible manuscripts contain the entire Hebrew Bible. Codex Sassoon is one of them. That turns out to be rather important later on.

Codex Sassoon or Sassoon 1053

The word “codex” basically means: book, that is, something with pages connected to a spine that you can turn to quickly find your place. This is different to a scroll. If you want to read the last chapter of a story written in a scroll, you have no option but to laboriously unroll the entire thing until you get to the final part. So, codices have some significant advantages over scrolls, particularly if you want a quick peek at the end to see if he marries the girl, or if it really was the butler, in the drawing room, with the candlestick.

Nonetheless, the scroll (rather than the codex) occupies a very special role in Jewish liturgy, and Jewish communities were rather slow to adopt the codex alongside the scroll, for writing the biblical text. In fact, it wasn’t until towards the end of the first millennium AD that Hebrew Bibles began to appear in codex form. So, this manuscript is part of the early shift to codex form. We’ll come back to that point in a bit.

For a long time, this particular Hebrew Bible Codex was part of the massive Judaica collection belonging to David Sassoon, whence the name “Sassoon codex” (or Sassoon 1053, for those who like an extra slice of nerd with their nomenclature).

Finally, it is important to explain that the Sassoon Codex—together with every other Hebrew Bible Codex from about AD 800 onwards—is a Masoretic Bible Codex. This simply means that it contains the Masoretic Text.

Related

  • Numbers in the Yonah Pentateuch
    The opening of Numbers in the Yonah Pentateuch (14th c.), showing its ornate micrography. BL Add MS 21160. Public domain
    The Extraordinary Hebrew Text behind Your English Bible

    The Masoretic Text is the fruit of the genius of Jewish textual scholars who codified the pronunciation of the Hebrew text.

    Kim Phillips

Now we are in a better position to address some of the exaggerations and half-truths in the media coverage of the Sassoon Codex.

Half-truth 1

“It wasn’t until the early Middle Ages that scholars known as Masoretes …  standardized the text of the Hebrew Bible, which had remained in flux since antiquity.”

Sotheby’s

To be frank, this is nonsense. Pure mashed potato. The consonantal text of what we now call the Hebrew Bible was fixed well before the birth of Christ, and there is a great deal of evidence that a firm tradition regarding the correct reading of that consonantal text was also fixed by that time. The genius of the Masoretes (Jewish scholars, roughly AD 600–900, particularly interested in the text of the Hebrew Bible) was not that they “standardized” the text of the Hebrew Bible, but that they (1) found ways to accurately represent in writing what had previously been preserved orally regarding the correct reading of the consonantal Hebrew text; (2) consolidated and developed a massive, intricate network of textual notes designed to prevent inadvertent changes to the text of the Hebrew Bible in the future.

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Half-truth 2

Between AD 100 and AD 800 the Hebrew Bible was only transmitted orally, rather than in writing.

NY Times

It is true that, today, very few traces survive of Hebrew Bible manuscripts written between about AD 100 to AD 800. Exceptions include the extraordinary Ein Gedi Leviticus Scroll, and—possibly—some of the scroll fragments  currently housed in Cambridge University Library. However, this so-called “silent period” does not imply that the Hebrew Bible was transmitted only orally between those dates. On the contrary: stringent Jewish regulations stipulate that the biblical text must be read from a scroll in synagogue services—not recited from memory. These regulations were codified in around AD 600—right in the middle of the “silent period”! So where did all these Bible manuscripts go? Put simply: some went up in smoke, and some went down into the ground. The burning of synagogues in key Jewish centres (such as Jerusalem and Old Cairo) in the high Middle Ages is to be blamed for the loss of many Hebrew Bible manuscripts. Other Bible manuscripts, having been used to the point of being worn out beyond repair, were buried—according to Jewish custom.

Half-truth 3

“In Codex Sassoon, a monumental transformation in the history of the Hebrew Bible is revealed, bringing to light the full story of the Hebrew Bible that had previously never been presented in book form.”

Jewish Chronicle

This is hype. Let’s take things more slowly. It is true, as explained above, that Judaism was relatively slow to adopt the codex format. Hebrew Bible codices—rather than scrolls—only start appearing towards the end of the first millennium AD. But let’s be clear: before that point the Hebrew Bible was written in scroll format!

It is also true that the Jewish scribal experts—the “Masoretes”—found ways of writing down the traditional way to read the consonantal biblical text. Before the Masoretes, this aspect of the biblical tradition had indeed been transmitted orally. So, the appearance of the Masoretic Text towards the end of the first millennium is a really, really significant stage in the history of the Hebrew Bible. If, in this third half-truth, we were to replace the words “Codex Sassoon” with the words “The Masoretic Text,” I would be the first to sign up in agreement. The Masoretic Text is a monumental transformation in the history of the Hebrew Bible.

Above all, though, this particular half-truth gives the strong impression that Codex Sassoon is the first ever Hebrew Bible in codex form. This is overwhelmingly unlikely! Let’s unpack this further. As was mentioned earlier, Masoretic Hebrew Bible codices frequently contained only part of the Hebrew Bible as a whole. Pentateuch codices were most common. Codices containing the book of Psalms were very common, and so forth. Although dating these partial codices is frequently very difficult indeed, it is highly probable that many of them predate the Sassoon Codex. In fact, it is likely that whichever part of the biblical text you were to choose, I would be able to find you a codex-format manuscript containing the Masoretic Text of that section that predates Codex Sassoon.

So, if Codex Sassoon has any particular claim to glory, it must be related to the fact that in this particular codex the entire Hebrew Bible is preserved in a single volume. So let’s try this for size:

Possible truth

“Codex Sassoon is the earliest Masoretic Hebrew Bible containing the entire text of the Hebrew Bible in a single volume!”

Maybe.

However, there are various difficulties in proving this claim. First, the claim that Codex Sassoon is from the late 9th or early 10th centuries is based on the results of carbon-dating. However, carbon-dating yields a range of possible dates for whatever is being dated, not a precise point in time. And there is at least one other codex vying for the privilege of being “The Earliest Masoretic Hebrew Bible Containing the Entire Text of the Hebrew Bible in a Single Volume.” That manuscript is the famous Aleppo Codex. The Aleppo Codex is thought to date from around 930 (though this date is itself contestable), and so it may well pip the Sassoon Codex to the post.

In addition, there are various aspects of the Sassoon Codex that may point to a slightly later date rather than a slightly earlier one. These all get rather technical, but one illustration may be the use of the colon sign (called sof-pasuq) to mark the end of each biblical verse. It is thought that in the earliest Masoretic codices these dots were used less frequently (technically, they are redundant, as the end-of-verse is already indicated by the silluq accent on the last word of the verse). For example, in Codex Or. 4445, a Torah manuscript currently housed in the British Library and thought to date from the 9th–10th centuries, the sof-pasuq sign only occurs irregularly. However, in Codex Sassoon it appears more regularly, just like the codices from the later 10th century onwards.

A snippet from Codex Sassoon (left), showing three sof-pasuq signs, and from Or. 4445 (right) showing the absence of three sof-pasuq signs.

Another problem with this claim is that even if Codex Sassoon is indeed the earliest surviving “Masoretic Hebrew Bible Containing the Entire Text of the Hebrew Bible in a Single Volume,” this in no way implies that it was the first ever “Masoretic Hebrew Bible Containing the Entire Text of the Hebrew Bible in a Single Volume.” It is entirely possible that earlier such manuscripts existed, but have not survived. In fact, given our current limited state of knowledge, it is entirely possible that earlier such manuscripts existed, and have survived, but have not yet been recognized as such.

One further point that is cropping up a lot in the media coverage is that, even if the Aleppo Codex does turn out to be earlier than Codex Sassoon, the Aleppo Codex is substantially damaged: most of the Torah is no longer available, and some of the later biblical books are very damaged, too. Of course, some of Codex Sassoon is also missing or damaged beyond repair, so even this claim to superiority is relative rather than absolute. The earliest complete Masoretic Hebrew Bible manuscript that survives in its entirety is still the Leningrad Codex, from around the year 1008.

The earliest complete Masoretic Hebrew Bible manuscript that survives in its entirety is still the Leningrad Codex, from around the year 1008.

Conclusion

Codex Sassoon is a really important manuscript. It would definitely be one of my three desert-island Hebrew Bibles. But great importance must not be confused with superlative importance. Claims like “Codex Sassoon: The Earliest Most Complete Hebrew Bible” are nonsensical (a text can be complete, or incomplete, but how on earth can it be “most complete”?!) and grossly misleading. Happily, we can be thankful for this valuable witness to the text of the Old Testament even once the exaggeration is cleared away.

Filed Under: Manuscripts, Old Testament Tagged With: Codex Sassoon, Masoretic Text

How Bible Software Solves Differences in Versification for You

Software developers have to account for different versification in how Bible data is both stored and presented.

Rick Brannan

Back in the mid-1990s, before the internet was everywhere, I worked in the telephone sales department at Logos Bible Software (now known as Faithlife). In those pre-internet days, companies would run advertisements in magazines with 1-800 numbers that people could call to learn more or get help. I was at the other end of that line and talked with many people about studying the Bible and how Logos Bible Software could help them.

It was in this context that I first learned that Bible verses, those trusty guides to where something is in the Bible, are , in fact, not so trusty across versions and languages. That is, what is in one verse in one translation may not necessarily be the same when compared to a different translation.

A case of a missing verse

In addition to selling software to interested folks, I also called people after they bought the software to follow up and make sure they were able to use the software. And sometimes people who I sold software to would call me with questions. One day a call was transferred to me and to the person on the other end asked me, fairly bluntly, “Where’s Matthew 18:11 in my NIV Bible?”

To understand what the customer was seeing, I opened my copy of Logos Bible Software version 1.6, opened the NIV, and navigated to Matthew 18:11. It just went from verse 10 to verse 12. And I somewhat confusedly confirmed with the person on the phone that Matthew 18:11 was not in the NIV. But it was in the KJV. I said I’d look into it and see if there was an issue and get back to him.

Now, this was the mid-1990s. Bible software at the time really only had Bibles, Strong’s numbers (only in the KJV) with some brief definitions, and not much else. So missing a whole verse was a big thing, and I wanted to figure out where it went.

Thankfully, the NIV has a note at the end of verse 10: “Some manuscripts heaven. The Son of Man came to save what was lost.” And that nearly matches the text of Matthew 18:11 in the KJV: “For the Son of man is come to save that which was lost.”

Related

  • The NA28 (left) and THGNT (right), opened to the beginning of John’s Gospel
    The NA28 (left) and THGNT (right), opened to the beginning of John’s Gospel
    What Pastors Should Know about Developments in Textual Criticism

    An introduction to new editions, methods, and digital tools for studying the Greek New Testament

    Peter J. Gurry

I’d taken a year of Greek in college, and Logos Bible Software had the standard critical Greek New Testament text at the time which was the Nestle-Aland 26th edition (NA26). This edition was fairly reflective of the Greek text behind the NIV. Logos also had Scrivener’s edition of the Greek New Testament, best described as an edition of the Textus Receptus (TR) which closely matches the text the KJV was translated from. I looked up Matthew 18:11 in the NA26 edition, and the verse was not there. I looked the verse up in Scrivener’s text, and it was there.

This was my smoking gun. The footnote in the NIV explained that some manuscripts include an extended form of the material at the location we today call Matthew 18:11. Evaluating the Greek texts indicated that the NIV and KJV translated different editions of the Greek text. This accounts for the presence of Matthew 18:11 in the KJV and its absence in the NIV. I was able to call the customer back and explain how the absence of Matthew 18:11 in the NIV was explained by the note in the text and was able to give some background on the differences in the Greek between the NIV and the KJV. Both the customer and I learned one of the reasons that versification between Bibles doesn’t always match.

The Ethiopian’s Confession

A similar “missing verse” situation happens in the story of the Ethiopian eunuch, found in Acts 8. The story is well-known: Philip was drawn by the Spirit to the chariot of the Ethiopian eunuch (Acts 8:29), who happened to be reading from Isaiah 53:7–8 (Acts 8:32–33). It was a perfect setup for Philip to explain the Gospel, and he did (Acts 8:35) to the point that the eunuch asked to be baptized (Acts 8:36).

This is where the complication starts. Acts 8:37, which contains the incredible testimony of the eunuch, is present in some translations like the KJV and NKJV. It is present but in [brackets] that indicate its dubious nature in the 1977 edition of the NASB and also in the HCSB. It is absent in most modern translations (ESV, NIV 1984 and 2011 editions, NRSV, NRSVue, NASB 1995 and 2020 editions, and the CSB). When absent, the material from verse 37 is mentioned in a footnote. The NIV 2011 includes a superscript “[11]” in the text acknowledging the absence of the material with a further clarifying note.

The moving seashore

In the mid- to late 1990s, I shifted from sales and marketing and moved over to the technical side of the company. There my job involved writing computer programs to produce the electronic versions of books for use in what was then known as the Logos Library System, aka Logos 2.0. I soon learned that some examples of differences in versification are more complex than just a difference between manuscripts. The examples from Matt 18:10–11 and Acts 8:36–37 all agree on the versification while disagreeing on the content. What happens when there is disagreement in both versification and content?

Welcome to Revelation 12:17–13:1. Rather than trying to explain the differences, it is perhaps best to simply see them. Here the text is laid out by verses in a table. Depending on the Bible translation, the same content could be in Revelation 12:17, 12:18, or 13:1. Also, within that content unit, a slight variation in who stood on the shore occurs that is represented in italics. This variant helps explain the choices that translators made in representing the text in their editions.

ESVNIV 2011NRSVueKJVNA28TR
12:17 Then the dragon became furious with the woman… And he stood on the sand of the sea.12:17 Then the dragon was enraged at the woman…12:17 Then the dragon was angry with the woman…12:17 And the dragon was wroth with the woman…12:17 καὶ ὠργίσθη ὁ δράκων ἐπὶ τῇ γυναικὶ …12:17 καὶ ὠργίσθη ὁ δράκων ἐπὶ τῇ γυναικί…
12:18 Then the dragon took his stand on the sand of the seashore.12:18 Καὶ ἐστάθη ἐπὶ τὴν ἄμμον τῆς θαλάσσης.
13:1 And I saw a beast rising out of the sea, with ten horns and seven heads…13:1 The dragon stood on the shore of the sea. And I saw a beast coming out of the sea. It had ten horns and seven heads…13:1 And I saw a beast rising out of the sea, with ten horns and seven heads…13:1 And I stood upon the sand of the sea, and saw a beast rise up out of the sea, having seven heads and ten horns…13:1 Καὶ εἶδον ἐκ τῆς θαλάσσης θηρίον ἀναβαῖνον, ἔχον κέρατα δέκα καὶ κεφαλὰς ἑπτὰ…13:1 καὶ ἐστάθην ἐπὶ τὴν ἄμμον τῆς θαλάσσης. Καὶ εἶδον ἐκ τῆς θαλάσσης θηρίον ἀναβαῖνον, ἔχον κεφαλὰς ἑπτά καὶ κέρατα δέκα…
Versification differences at Revelation 12:17–13.1

The material with the variation (“he stood” in NA28 vs. “I stood” in the TR) is the material that migrates into and out of chapter 13 depending on edition. When the NA28 is followed (ESV, NRSVue) and “he” (the dragon) is the one standing on the seashore, the translations tend to keep the material in chapter 12. When the Scrivener edition of the TR is followed (KJV, NKJV) and “I” (John the Revelator) is the one standing on the seashore, the translations tend to keep the material in chapter 13. Bucking this trend, the NIV translates the NA28 text but puts the material in chapter 13, possibly to keep the material where KJV readers expect it.

In this area of Revelation, the location of the chapter break in modern editions seems dependent on the content and may not even follow the versification of the underlying Greek edition.

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Why Does this Matter for Bible Software?

Versification differences are not uncommon once you become aware of them. For example, the versification of the Psalms is different between the Hebrew Bible and Greek Old Testament (Septuagint) and even has differences from these in some English Bibles. Differences between the Hebrew and Greek versions of Jeremiah are also well known.

Major Bible software packages have developed systems to account for versification differences in ways that Bible data is both stored and presented. If someone has their NIV and NRSVue linked together and is scrolling through the material, Revelation 13:1 in the NIV and Revelation 12:18 in the NRSVue should scroll together. Search results for common terms (like “dragon”) should be listed in parallel in multi-version searches despite the versification differences.

The basic goal is to let reading and study proceed without the speedbumps of versification differences. These problems are not hidden; the lack of Matthew 18:11 in some Bibles is still discoverable. But hopefully the explanations of these differences are equally discoverable and do not lead to distressed communication with customer service agents about how a particular Bible version is missing content.

Filed Under: Translation

Four Ways Scholars Date Early Hebrew Bible Manuscripts

Scholars use multiple methods to date the earliest copies of the Old Testament. At their best, they yield a range of fifty years.

Drew Longacre

In recent years, some scholars have argued that the Psalms were still being collected into the Psalter late into the 1st century AD, well after Jesus’ death. But what if there was a copy of the book of Psalms written much earlier than that? In fact, that seems to be the case with 4QPsa, a Psalms manuscript from the Dead Sea Scrolls dated to the late 3rd or early 2nd century BC that must surely play an important role in determining when the book of Psalms was compiled. The dates when manuscripts were written are thus very important for understanding their significance and for understanding the history of the Bible. But the process of how scholars determine those dates is complex and involves several sources of information.

How to reference the Dead Sea Scrolls

The earliest period from which we have copies of the books of the Hebrew Bible/Old Testament starts from the 3rd century BC. The Dead Sea Scrolls include nearly 1000 early manuscripts—mostly in Hebrew and Aramaic (which use the same alphabet), but also some other languages—discovered in the Judean Desert, most of which date between 350 BC to AD 135.

Far fewer early Hebrew manuscripts have survived from other places like Egypt and from the so-called “silent period” from the 3rd to the 8th centuries AD. That means that the Dead Sea Scrolls are our earliest direct sources for the Hebrew scriptures and Jewish literature and are of immense historical and religious significance. But how do scholars go about dating them? There are four main ways.

1. Internal Dates and Contents

Sometimes scribes wrote the date explicitly on their manuscripts. In such cases, it is easy to know when it was written—as long as the type of calendar the scribe used is clear and well-understood. For instance, the manuscript known as 5/6Ḥev papLease of Land is dated to the third year of the revolt against the Romans by Bar Kokhba (AD 132–135), which corresponds to AD 134. Such dates are common in legal documents and letters, though precious few survive from some periods. Unfortunately, the ancient scribes who copied works of Hebrew literature like the scriptures did not write the date on their manuscripts.

When an explicit date is lacking, the contents of a manuscript may also imply something about its date. If it is possible to determine when a book was originally composed, the copy obviously cannot be dated earlier. In most cases, the books of the Old Testament were written significantly earlier than their earliest surviving copies, so this criterion is generally of limited value.

2. Archeological Context

One of the best indicators for dating early Hebrew manuscripts is where they were discovered, otherwise known as their provenance. Many ancient manuscripts were found in archeological contexts that are datable. For instance, a Leviticus scroll called EGLev was found charred inside a synagogue in En Gedi in Israel that was burned in the 6th or 7th century AD, which means that the scroll cannot be dated later than this destruction. The site of Qumran in the Judean Desert (east of Jerusalem) was destroyed by the Romans in AD 68, so all of the scrolls found in the surrounding caves associated with the site (labelled 1Q, 2Q, 3Q, 4Q, etc.) must have been written earlier than this date. It is unusual (though not impossible) for manuscripts to be many centuries older than the archeological context in which they were discovered. Thus, dating is one reason why it is so important to know as much as we can about where ancient manuscripts came from.

The site of the En Gedi synagogue allows a more precise dating of a Leviticus scroll found at the site. David Jones

3. Radiocarbon Dating

Another important tool that is used to date early Hebrew manuscripts is radiocarbon dating. Carbon-14 (aka 14C or “radiocarbon”) is a radioactive isotope of carbon that is found throughout the atmosphere and is absorbed into plants and the animals that eat them. 14C decays at a known rate to become the more common 12C.

When plants or animals die, they stop taking in new 14C, so the amount of 14C gradually diminishes at a constant rate. By comparing the amount of 14C left in the organic material with the amount of 12C and known historical atmospheric conditions, scientists are able to determine approximately how long ago the plant (e.g., papyrus) or animal (e.g., parchment) that was used to make a manuscript died.

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With few exceptions, writers usually used these writing materials soon after they were prepared, so scholars generally suppose that the date when a manuscript was written was very close to when the plant or animal died. In most cases, these tests can tell researchers approximately in which century the manuscript was written. However, fluctuations in the original atmospheric conditions make it difficult to distinguish certain periods, yielding less precise or more ambiguous dates for these stretches of time.

Radiocarbon dating also requires destroying a small part of the manuscript, which makes many institutions hesitant to use the technique. Despite this, the method has been frequently applied to early Hebrew manuscripts, providing a wealth of information that is not available to scholars working on most other types of ancient manuscripts. So far, more than 60 early Hebrew and Aramaic manuscripts have been subjected to radiocarbon dating, yielding dates ranging from the 4th century BC up through the 8th century AD.

So far, more than 60 early Hebrew and Aramaic manuscripts have been subjected to radiocarbon dating.

4. Ancient Handwriting

Another way of dating early Hebrew manuscripts—in fact, often the most important—is by studying their handwritten scripts, which is a discipline called paleography. When attempting to date early Hebrew manuscripts, the other means of dating mentioned above are frequently unavailable or not sufficiently precise. In such cases, paleographers study the development of different styles of writing over time and try to figure out where an undated manuscript fits into that history on the basis of its handwriting.

One of the best ways of paleographically dating an early Hebrew manuscript is by finding dated or datable manuscripts written in very similar writing styles. The more similar the scripts are, the more likely they are to be from the same period. For instance, one Psalms scroll called 5/6Ḥev Ps was deposited in a cave in Naḥal Ḥever by refugees during the Bar Kokhba revolt (AD 132–135). The script style looks very similar to 5/6Ḥev papLease of Land, a contract from the same cave which we noted earlier was dated to AD 134. This suggests that 5/6Ḥev Ps must have been written some time close to AD 134, and its archeological context means that it could not have been written later. Thus, 5/6Ḥev Ps can be dated approximately to AD 50–135.

Whenever it is impossible to find close analogies with manuscripts of known date, paleographers try to analyze scripts in light of the general development of writing styles. Since handwriting styles change over time, paleographers can create typologies or timelines for these developments, noting both changes in the general appearance of the scripts and changes in individual letter shapes. They start by placing datable manuscripts on the timeline and observing what has changed between the earlier and the later manuscripts. When paleographers try to date an early Hebrew manuscript that has some features of the earlier manuscripts and some of the later ones, they normally presume that that manuscript was written sometime between the manuscripts dated on either side of it.

For example, when paleographers date 4QSamb (an old copy of 1 Samuel), they might compare it to early dated manuscripts like WD papDeed of Slave Sale (335 BC) and later ones like 5/6Ḥev papLease of Land mentioned above. The handwriting of 4QSamb has many features of the earlier manuscripts, but also some later features, so we can place it on the timeline between WD papDeed of Slave Sale (335 BC) and 5/6Ḥev papLease of Land (AD 134) like so: WD papDeed of Slave Sale → 4QSamb → 5/6Ḥev papLease of Land. Since 4QSamb is much closer to WD papDeed of Slave Sale than 5/6Ḥev papLease of Land, it must also be dated very early on the timeline. Thus, most paleographers conclude that 4QSamb must have been written in the 3rd century BC, possibly making it the oldest copy of any part of the Hebrew scriptures in existence.

The more the timeline is filled in with datable manuscripts, the more precisely paleographers can date other manuscripts based on where they fit in the timeline. For this reason, paleographers are constantly looking for new evidence for dating ancient manuscripts and revising the timeline where evidence requires it. And recent developments have seen the use of computer tools to help study and compare ancient handwriting, which has great promise for future gains in the field.

The Foundation for Further Study

By combining the information from the contents of the manuscripts, their archeological contexts, radiocarbon dates, and their handwriting, scholars are able to propose dates for early Hebrew manuscripts. Based on these sources of information, scholars often suggest dates that are quite precise, even within 50-year ranges of possible dates, not much longer than the working lifespan of a scribe.

Not everyone agrees that these narrow date ranges are reliable, however, and a growing number of paleographers prefer to leave open wider ranges of possible dates, such as a century or more. This is especially the case for the 3rd to 8th centuries AD, where hardly any Hebrew manuscripts have survived and the timeline has many long gaps and uncertainties. But despite the limitations, these tools are essential for dating early Hebrew manuscripts and are foundational for any study of the manuscripts and texts of the Hebrew scriptures and thus to the history of the Bible.

Filed Under: Manuscripts, Old Testament Tagged With: Paleography

Four Lessons from Medieval Illustrated Bibles

Illuminated Bibles are a living testament to human history in addition to being the divine record of history.

David S. Hogg

Among the treasures housed in the British Library is the Luttrell Psalter. It is a lavishly illustrated early 14th century manuscript commissioned by Sir Geoffrey Luttrell. Inside the front cover someone has written the name of Sir Geoffrey followed by the Latin words me fieri fecit. Loosely translated this means, “Sir Geoffrey Luttrell brought me into existence.” This is interesting for at least two reasons.

First, by writing it in the first person, the author is personifying the book itself—treating it as though it were speaking to us. On one level, we might consider this a bit childish since we know books are inanimate. But on another level, precisely because this is written in a book containing a portion of the Bible, itself the only book in all creation that can be described as living and active (Heb. 4:12; 1 Thess. 2:13), it does not seem entirely out of place. Whatever else might be said of their piety, citizens of medieval Europe well understood that the Bible and the church claimed that this is a book that has the power to transform hearts and minds because it is a living word that has the power to impart eternal life (1 Pet. 1:23; 2 Tim. 3:14–17). It is, in short, a book that speaks to us like no other. Thus, to add an element of personification on the inside cover is not entirely out of place.

The second reason this little notation is interesting is that it invites the reader to consider the intentionality behind creating this specific volume. Besides Sir Luttrell, who might have been involved in producing this lavish copy of God’s Word? Printers? Artists? Scribes? Leather workers? Purveyors of fine parchment? Which members of the Luttrell family, young or old, had input into what illuminations they wanted to include? By way of contrast, in our age where Bibles are everywhere, from homes to hotel rooms, and available in multiple formats, from print to audio recordings to software programs to hypertext online versions, considerations about how the Bible is produced have faded into the background. And, it may be argued, rightly so since the process of mass producing print, audio or electronic Bibles is not especially engrossing.

Why Illuminate the Bible?

Be that as it may, the somewhat eccentric Jerome who translated the Bible into Latin in the early fifth century (the text we now call the Vulgate) would be elated at the modern proliferation of simple, straightforward, text-only Bibles published around the globe. Throughout his life, Jerome remained staunchly opposed to the ornamentation of God’s Word—evidence that illustrating the Bible in some way was practiced before the Middle Ages in the earliest centuries of the church. To the list of those who prefer the Bible to remain a simple, text-only book, I suspect we could add some of the leaders of the Reformation, to say nothing of the Puritans, whose opinions on the subject are a foregone conclusion. The collective motto of Jerome & Co. might be, “Just print the Bible. It’s not a coloring book.”

This is, however, not the position taken by many Christians throughout the ancient and medieval church. Exhibit A: the Luttrell Psalter. Here is a portion of the Bible with elaborate ornamentation throughout, to say nothing of the full color illustrations of people and daily life that fill the spaces amidst the sacred leaves. What’s more, this practice was followed well into the sixteenth century. If we fast forward about a century beyond the creation of the Luttrell Psalter to the time when Gutenberg revolutionized book production with his moveable type printing press, we discover that he printed the Bible with large blank spaces at the beginning of books and chapters as well as leaving considerable real estate blank at the margins. This was done on purpose and for decades following Gutenberg’s life.

The point was that everyone who could afford a Gutenberg Bible could take their copy to a book illuminator and make it their own by having it decorated however they wished. Lest you think this an antiquated practice, consider the recent publication of the ESV Bible in formats that either already have ornamentation in them or leave large blank spaces as an intentional invitation for people to add their own illustrations and adornments. It seems illuminated manuscripts are back in style.

At this point, it is worth noting that many Bibles, parts of Bibles, and other manuscripts created in the Middle Ages included no adornment. Illustration was an expensive undertaking. Even so, if the cache of illuminated texts that have survived into our own day is any indication, a lot of Bibles included some form of adornment. But why, we might ask, was adorning the margins and first letters of books and chapters in the Bible done in the first place? Why was it so popular for over 1,500 years? In what follows, I offer four reasons why manuscripts of the Bible were illuminated.

One of several curious creatures (or “grotesques”) in the Luttrell Psalter. BL Add MS 42130

1. Illustration communicates the value of the text

What do you do with the things you value greatly? If it’s a picture, you might have it professionally framed. If it’s an object associated with a strong memory, you may keep it in a special box. If it’s beautiful or costly, you might display it in a glass case. We often convey value through context. In the Middle Ages, all books were relatively expensive, but illuminating a manuscript with colors created from costly dyes and overlaying letters and borders with gold leaf communicated a level of importance that went above and beyond. Depending on the level of craftsmanship required, portions of the Bible or even the whole Bible created in this way could take anywhere from two to four years. Even in a slower age bereft of automation and computers, anything that took multiple years and several people to make signaled significance to the observer.

While communicating the value of the Bible through its physical production could matter in a number of situations, one context in which a visual reminder of the value of the text of Scripture was especially helpful was in missionary work. In her very illuminating book, Hidden Hands, Mary Wellesley cites a letter written by an eighth century missionary named Boniface in which he is requesting an illuminated manuscript of the Pauline epistles, “to impress honour and reverence for the Sacred Scriptures visibly upon the carnally minded to whom I preach.” Wellesley herself comments on the rationale for Boniface’s request writing that a “manuscript was not simply a repository of text but an embodiment, in visual and physical form, of the sacral power of Scripture.”1Mary Wellesley, Hidden Hands: The Lives of Manuscripts and Their Makers (London: Quercus, 2022), 164

2. Illustration prompts thinking about the text

On the page where Psalm 36 begins (in our English Bibles that would be Psalm 37) in the Luttrell Psalter, there is an illustration at the bottom of the page of a naked blue man. Yes, you read correctly. Furthermore, this little blue man (slightly turned to preserve at least a modicum of modesty) has been hoisted upon a pole held horizontally to the ground and is carried by two people as he waves a leaf of some kind and looks like he is having a grand time (despite what one imagines must be a terribly uncomfortable way to travel!). Why, it seems reasonable to ask, is there a little naked blue man on the page below Psalm 37?

Although we can’t be sure since no interpretive notes are included with the illustration, it is likely the case that this illustration is depicting the wicked, the enemy, described in the Psalm. In medieval England, blue was the color associated with the enemy and thus the wicked because their archrivals, the Scottish, would sometimes paint their bodies with a blue dye before going into battle. Knowing this, and reading Psalm 37:35, for instance, we discover that the Psalmist tells us that he has seen the wicked spreading himself out (naked) like a tree. The fact that we have an identifiable enemy (blue guy), being exalted on a pole and paraded about by two people, and revealed as naked as a tree before the world (holding a leaf in his hand to help us make the connection in case we missed it), it seems an apt, if mildly amusing pictorial representation of the verse.

The “blue man” at the bottom of Psalm 37 on the left page in the Luttrell Psalter. BL Add MS 42130

Again, we must be careful not to read too much into these illustrations, but it appears that the Luttrell family are using a popular cultural trope to heighten and focus the attention of the reader on the contents of the Psalm. As Israel had enemies in their time who would one day pass away under God’s judgment while the righteous alone remained, so the English have their enemies who will not abide despite appearances to the contrary. Instead of passing over a text quickly, the illustration invites the reader to consider who the little blue men are in their life who will not stand in future judgment despite their present prosperity. In fact, whether the reader lives in the 14th or the 21st century, it also prompts a smile—not that someone would fall under judgment, but that, in the end, the righteous will overcome.

3. Illustration is an expression of God-given gifts to create beauty

God did not condemn the Israelites for living in great cities with homes filled with good things (Deut. 6:10–11), nor did he frown upon using wealth to create beautiful things (Solomon’s palace). Historically, in the western classical tradition, the good, the true and the beautiful were held in high regard. Today, one might be forgiven for thinking each of these in their turn has been rejected or ignored. With respect to the Bible, in a culture that prizes functionality and efficiency, sometimes even to the detriment of the good, true, and beautiful, we should take care not to assume our priorities are superior or the standard by which all others should be measured.

Take, for example, a mass-produced digital alarm clock. It is entirely functional with nothing but numbers because it is assumed that all that is needed is accuracy, not beauty (and preferably cheap!). Surely, every clock should be just like this because a clock has only one purpose: to tell the time. But do we not stand amazed at clocks or watches that have been crafted with beauty? I own what is called a skeleton watch. It is called this because while there are hands to tell the time, there is nothing hiding the inner workings so you can see all the wheels, cogs, springs, and coils in their tiny, exquisite detail turning, twisting, untwisting, rotating, flying, and rocking. When I first bought the watch when my children were younger, they used to ask to look at it while we ate dinner and they sat mesmerized by it. I have never once seen them stare in awe at the cheap, but accurate digital alarm clocks they had by their bedside!

From the beginning of creation, God has called humanity to the work of creativity and beauty.

From the beginning of creation in the garden of Eden, God has called humanity to the work of creativity and beauty. Throughout its history, the church has believed that applying artistic or creative gifts to this world and what we make is part of what it means to be made in the image of God. We must never change the text of Scripture, but surely the margins are free for applying God-given talent in a thoughtful way.

4. Illustration connects us with others, past, present, and future

Most of us like new books. There something about the pristine quality, the new book smell, and the wonder of being the first to turn the pages. Recently, however, I heard an author talk about her love of books, and she clearly favored what she called good, clean used copies of classic works. She likes used books that are still in good condition because they include the occasional marginal notation and, more often than not, they fall open to a place the previous owner looked over for some time. Her point was that she loved knowing that she was one in a line of connected readers who all read the book before her. In an unusual way, it reminded her that books and reading are fundamentally communal. What a wonderfully positive way to think in the midst of a world that can often seem bent on using the practice reading and writing as a way to drive a wedge between people.

There is something about a book, especially the Bible which is the very Word of God to humanity, which, when ornamented and illustrated and colored bids us slow down and appreciate the whole, to pause over the wonder not only of revealed truth, but of the generations before us who have done the same and left their mark, their clues to how they understood and applied the same texts we are now perusing. Reading a Bible that includes the artistic fingerprints, marginal notes and interlinear underlinings bids us to forego our modern penchant to read as though we are alone and confronts us as individuals who are part of a body of readers, a genealogy of the faithful, the church throughout the ages. A Bible that is illuminated is a Bible that has a human history in addition to being the divine record of history.

A Bible that is illuminated is a Bible that has a human history in addition to being the divine record of history.

Mary Wellesley is surely right when she wrote that, “manuscripts, by their very nature, resist neat chronologies, because they often tell simultaneous histories. They might have been written in one age, but contain texts dated much earlier, and they also incorporate the histories of their later owners and readers.”2Hidden Hands, 9. In this sense, medieval illuminated Bibles are first and foremost the living Word of God, but they are also a kind of living testament to generations of faithfulness that draws the reader into conversations about perennial nature truth, goodness, and beauty.

Notes

  • 1
    Mary Wellesley, Hidden Hands: The Lives of Manuscripts and Their Makers (London: Quercus, 2022), 164
  • 2
    Hidden Hands, 9.

Filed Under: Manuscripts, Old Testament

The Day the Bible Became a Bestseller

Martin Luther didn’t set out to produce a bestseller. But 500 years ago that’s exactly what he did.

Jeffrey Kloha

We know exactly when the Bible first became the “best-selling book of all time.” It was September 21, 1522. This date was the opening of the annual book fair in Leipzig, Germany. The previous April, Martin Luther refused to recant his writings before the Holy Roman Emperor Charles V at an assembly convened to examine his works known as the Diet of Worms. From there he was secreted to the Wartburg Castle for his own protection.

In eleven weeks, he completed a translation of the New Testament from Greek into German. From there, his colleague at Wittenberg University, Philip Melanchthon, edited the translation. Two businessmen in Wittenberg, Lucas Cranach the Elder and his partner Christian Doering, then employed the printer Melchior Lotter the Younger to rush to completion this New Testament in German in time for the book fair—even setting up temporary presses on their property to ensure completion. Between 3,000 and 5,000 copies were made, bundled up, and rushed to Leipzig for the book fair.

Luther translating the Bible in 1521 as depicted by Eugène Siberdt. Wikimedia Commons

An Immediate Bestseller

The book was a hit. All the copies of this German New Testament sold out before the fair ended a week later. From there, Luther’s German New Testament spread around Europe. A second printing was started immediately and released in December. A pirated version was printed in Basel before the end of 1522. In the next year a total of twelve authorized and sixty-six unauthorized reprints appeared throughout Germany and Europe—hundreds of thousands of copies sold in just over twelve months. Suddenly, the Bible was a bestseller. Luther’s Bible. The German New Testament.

Now, all this might be left as a footnote in history, except that this little Bible by Luther still influences the way that we read Bibles today. From format to contents to readability to explanatory notes—all have been shaped by the Septembertestament.

How did this instant success happen? Luther was not the first to market. In fact, the first printed German Bible had appeared in 1466, fifty-five years before Luther’s work. Seventeen total versions appeared before 1522. So, there was not simply a pent-up demand for the Bible in German into which Luther tapped. Rather, it was Luther’s theology and notoriety, combined with a readable translation style and a physical and visual format designed to help the reader understand the text—at least the text as Luther wanted the reader to understand it—that made this Bible become a bestseller.

Wartburg Castle, where Luther finished his German New Testament in 1522. Photo by Ashley Van Haeften

The Context of Luther’s Achievement

For the first 1500 years of the church, the Bible, or rather, the various books and stories in the Bible, were accessed by almost all people not by reading, but by hearing. People heard the Bible in worship, they sung it in psalms, hymns, and spiritual songs. They were taught it in sermons and catechetical teaching, they saw its contents portrayed in icons and eventually stained glass, watched it performed in mystery plays and passion plays (some of which are still performed today).

But possessing a Bible, holding a Bible, whether on papyrus or parchment or paper was not at all common. Almost all physical copies of the Bible down to the 1500s were produced for use in churches, in monasteries, and for clergy. A few wealthy people had beautifully decorated devotional books, which often contained the Psalms, but the Bible as we know it was simply not accessible—nor indeed seen to need to be accessible—to the vast, vast majority of people.

Even Gutenberg did not produce a bestseller because what he produced looked and felt and, to some extent, even cost what a Latin manuscript of the Bible cost in the 1450s. Gutenberg could produce sixty copies in the time it took a copyist to produce one manuscript. The first edition of 1454 was produced in about 160 to 180 copies: ¾ of them on paper and ¼ on vellum.

Paper copies cost thirty florins at a time when the salary of a clerk in the Medici bank earned between fourteen and fifty florins per year. So, if you have a great job in 1450, a Gutenberg Bible would cost roughly one year’s wages—and you still had to be able to read Latin. Most copies were purchased by religious orders or wealthy individuals for donation to churches and ecclesial institutions. While a pivotal moment in western history (Time magazine named it the most significant event of the past 1000 years) Gutenberg did not immediately change the way that people accessed the Bible.

But in the early 16th century, people began to want to read the Scriptures for themselves. And reform-minded scholars throughout Europe worked to make it accessible to all people, in their own languages.

Desiderius Erasmus of Rotterdam was one of the greatest classical scholars of all time. He produced numerous first editions of texts from antiquity, including the first published Greek New Testament in 1516. But he did not call it a “New Testament.” He called it a “Novum Instrumentum,” a new tool. The edition has Greek in one column and Latin in the other, but not the Vulgate, the commonly used Latin text, but a fresh translation that Erasmus argued was more accurate to the Greek. He wanted to make the Greek text more accessible to scholars and theologians in the west who did not really know Greek. And what was this tool to be used for? He lays this out in his preface, what he called the paraclesis or “exhortation” at the beginning of his new tool:

The sun belongs to everyone; the science of Christ is just the same. I am totally opposed to the fact that divine scripture should not be translated into one’s native language, to be read by the non-clergy; it is as if Christ’s teaching was so mysterious that only a handful of theologians could understand it, or as if the fortress of religion was built with the ignorance which the Church has forced on the common man. I wish that even the lowliest women read the gospels and the Pauline Epistles. And I would that they were translated into all languages so that they could be read and understood not only by Scots and Irish, but also by Turks and Saracens… Would that, as a result, the farmer sing some portion of them at the plow, the weaver hum some parts of them to the movement of his shuttle, the traveler lighten the weariness of the journey with stories from this source.

Luther used the second edition (printed in 1519) of Erasmus’s “new tool” to create a New Testament for German farmers and weavers, and in so doing created a runaway success. The audience for this German New Testament was the German people themselves. Where the Gutenberg Bible was out of the reach of almost all people, both for the cost and the fact that it was in Latin, a bound copy of Luther’s New Testament cost a single guilder: schoolteacher’s two month’s wages, or the price of a calf.

A Book to Point to Christ

It seems self-evident to us today that the Bible should be translated. But for Luther, the translation of the Bible was not an end in itself. It was not simply, “let’s get the Bible out there and see what happens.” Nor was he interested in a text for academic study since Greek, Hebrew, and Latin editions were available for that if one wanted. Rather, Luther wanted a New Testament through which individuals could hear the Word of God directly, without the mediation of the church or a priest. Said another way: Luther’s goal was that individuals hear “God’s message about Christ.”

Luther’s goal was that individuals hear “God’s message about Christ.”

In the language of Romans 10: “So faith comes from hearing, and hearing through the word of Christ.” Luther expresses this in his introduction to the Old Testament published later in 1534: “If, then, you would interpret well and surely, set Christ before you; for He is the man to whom it all applies.” But even the New Testament, which Luther acknowledged should be clear enough, also can be misinterpreted and therefore the reader needs assistance to hear the Gospel clearly.

Luther produced this book, quite simply, to point to Christ. To give people access, for themselves—with Luther’s guidance—to the promises of God. We see this on the title page of a 1524 Wittenberg Bible with its simple description, and Christ on the cross.

The title page to the Old Testament in Luther’s 1524 Bible with Christ on the cross. Museum of the Bible BIB.003838.

Luther’s entire purpose in translating the New Testament, then, and every feature of the translation and the contents of the volume is designed to preach Christ and the Gospel message. This accounts for the new features of the Septembertestament. It was a text like no other before it. It translated a Greek text into the vernacular for the first time in Western Europe since the Vulgate. It included prefaces and notes to ensure that the readers heard the Gospel. And even the sequence of the New Testament books was altered to suit Luther’s goal of leading people to trust the promises of Christ.

This might be surprising. A Reformation motto is sola Scriptura! By Scripture alone! without tradition or interpretation. But sola Scriptura itself is actually in service to the central Reformation tenet: “Christ Alone!” (solus Christus). Luther put Scripture into the language of the people so that by Scripture alone they could hear Christ and his gospel, and so receive salvation.

Helps to Guide the Reader to Christ

The physical format and additional features that Luther and his collaborators added to this Septembertestament helped accomplish this goal. These were not without precedent, and certainly not without controversy, as we will see. And there is an important juxtaposition between Luther’s desire for the Word to be heard clearly and directly by people on its own terms and, at the same time, the addition of several “helps” to make sure that the reader gets the right interpretation. Here I will focus on four “helps,” many of which are still used on our Bibles today.

1. Text and Translation

As noted, Luther used the second edition (1519) of Erasmus’s Novum Instrumentum as his base text. The parallel Greek-Latin diglot gave Luther access not only to the Greek but also to Erasmus’s Latin rendering. In addition, Erasmus published a remarkable scholarly and historical word-by-word analysis of the Greek New Testament in 1516 called Annotations. He significantly enlarged this resource in 1519, and we know that Luther used both tools, because there are places where the translations follow exactly Erasmus’s explanations. Luther, therefore, would be the first to use these “new tools” to bring a Greek text of the New Testament into a vernacular language.

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Given the manuscripts available to him, Erasmus’s Greek text was quite similar to the text used for centuries in the Greek-speaking church. Later editions of his basic text came to be called the Textus Receptus, most commonly available after the mid-16th century in the editions edited by Reformed theologian Theodore Beza. That text was the basis of the Geneva Bible (1557, 1560) and the 1611 Authorized Version of King James. Erasmus’s 1519 edition repaired many of the typos and errors of the 1516 edition. Famously, though, neither edition included the comma Johnanneum at 1 John 5:7–8: “For there are three that bear record in heaven, the Father, the Word, and the Holy Ghost: and these three are one. And there are three that bear witness in earth, the Spirit, and the water, and the blood: and these three agree in one” (KJV).

This passage was added by Erasmus in his 1522 edition, and Luther was aware of the reading. But Luther never included the reading in his German Bible, including the 1534 complete Bible and the 1545 edition, the last printed during Luther’s lifetime. In fact, Luther elsewhere comments on this reading, noting that it was added by the orthodox theologians to counter Arian theology.

The Greek text was Luther’s foundation, but his deepest concern was that the text be readable and understandable by all people. Matching the Greek or Latin style and idiom would not have communicated the message of the New Testament clearly. His defense of his translation work against Catholic critics, written in 1530, underscores this goal.

We do not have to ask the literal Latin [text] how we are to speak German, as these donkeys [Papists] do. Rather we must ask the mother in the home, the children on the street, the common man in the marketplace. We must be guided by their language, by the way they speak, and do our translating accordingly. Then they will understand it and recognize that we are speaking German to them.

In this treatise, Luther provided several examples of how the idiomatic German of his translation is more effective than a translation held captive to other languages:

For instance, Christ says: Ex abundatia cordis os loquitur [Matt. 12:34]. If I am to follow these donkeys, they will lay the original before me literally and translate it thus: “Aus dem uberfluss des hertzen redet der mund” [of the excessiveness of the heart his mouth speaks]. Tell me, is that speaking German? What German could understand something like that? What is “the excessiveness of the heart”? No German can say that; unless, perhaps, he was trying to say that someone was altogether too generous, or too courageous, though even that would not yet be correct. “Excessiveness of the heart” is no more German than “excessiveness of the house,” “excessiveness of the stove” or “excessiveness of the bench.” But the mother in the home and the common man say this: “Wes das hertz vol ist, des gehet der mund über” [What fills the heart overflows the mouth]. That is speaking good German of the kind I have tried for, although unfortunately not always successfully. The literal Latin is a great obstacle to speaking good German.1Ein sendbrief D. M. Luthers. Von Dolmetzschen und Fürbit der heiligenn (1530)

The most radical—some might say, egregious—example is his rendering of Romans 3:28 where his text has added the word “alone.”

So halten wir nun dafür, daß der Mensch gerecht werde ohne des Gesetzes Werke, allein durch den Glauben
So now we hold that a person is justified without the works of the law, by faith alone.

The Greek text does not read an equivalent to “alone” in this passage. As the KJV reads: “Therefore we conclude that a man is justified by faith without the deeds of the law.” Luther defends his translation, again in the 1530 Sendbriefe:

Here in Romans 3, I knew very well that the word solum [alone] is not in the Greek or Latin text; the papists did not have to teach me that. It is a fact that these four letters s-o-l-a are not there. And these blockheads stare at them like cows at a new gate. At the same time they do not see that it conveys the sense of the text; it belongs there if the translation is to be clear and vigorous… It is the nature of the German language to add the word allein in order that the word nicht or kein may be clearer and more complete…  Actually, the text itself and the meaning of St. Paul urgently require and demand it. For in that very passage he is dealing with the main point of Christian doctrine, namely, that we are justified by faith in Christ without any works of the law.

For Luther, the sense of the text, undeniably influenced by the importance placed on this passage for the teaching of justification by faith, was more important than the Greek or Latin vocables in the base texts. Luther’s goal is to create a New Testament that preaches Christ, understandable directly by the people in language that they can understand. This is not a translation that seeks to capture the feel of an ancient text. It does not seek to sound “authentic” to the speech of, say, a Roman official in the book of Acts. Rather, the translation seeks to speak directly to ordinary people on their own terms. It is direct speech, as if God were speaking German. As if God were preaching Christ directly to them, into their hearts, with no priests, no tradition, no one else needed for the person to hear God and gain Christ.

Luther’s goal is to create a New Testament that preaches Christ, understandable directly by the people in language that they can understand.

2. Prefaces

A second device Luther used in his Septembertestament was to affix prefaces to the four Gospels and then individually for each subsequent book. He was not the first to add prefaces; prologues are found in Latin and Greek manuscripts of the New Testament that provide historical and chronological information and occasionally argue against heretical theological views. But Luther takes this in a different direction. He added prefaces to each book, not modeled on his predecessors, but designed instead to give the reader a basic understanding of the contents and what they will find in the book—or, more accurately, what Luther wants them to find in the book. In the initial preface to the Gospels and the New Testament, he directly explains his purpose for this device.

It would be right and proper that this book should appear without preface and without any other name than that of its authors and convey only its own name and its own language. But many wild interpretations and prefaces have driven the thought of Christians to a point where no one any longer knows what is Gospel or Law, Old Testament or New. Necessity demands, therefore, that it should have an announcement, or preface, by which the simple man can be brought back from the old notions to the right road and taught what he is to expect in this book, so that he may not seek laws and commandments where he ought to be seeking the Gospel and God’s promises.

Luther’s evangelistic purpose is clear here: He wants the reader to seek the Gospel and God’s promises, and to not read the New Testament as a book of rules to be obeyed. This becomes clearest in his preface to Romans. While most prefaces are quite brief, three individual books have extended prefaces: Romans, James, and Revelation. Romans is an outlier, but for that reason it is instructive: It shows how much emphasis Luther put on the contents and teaching of that book. Its preface is far longer than any other: ten full pages of introduction, and this to a book that, in translation, is only nineteen pages long.

The preface to Galatians, which has perhaps even clearer explicit teaching of faith over and against law has an introduction of less than half of a page, with a text that is seven pages long. Ephesians has an even shorter preface: less than fourteen lines of type for six pages of text, and this in the letter that says, “For by grace you have been saved through faith. And this is not your own doing; it is the gift of God, not a result of works, so that no one may boast.” That seems clear. And yet Luther relies on Romans to carry the weight of explaining the entire Bible and the Gospel: “This Epistle is really the chief part of the New Testament and the very purest Gospel and is worthy not only that every Christian should know it word for word, by heart, but occupy himself with it every day, as the daily bread of the soul.”

Not only was this approach novel, it was effective. John Wesley, the famous 18th century English evangelist, preacher, and theologian, claims that his “heart was strangely warmed” and that he was converted to the Gospel by reading Luther’s preface to Romans—not, mind you, by reading Romans itself, but reading Luther’s preface to Romans. The other two lengthy prefaces, for James and Revelation, have a decidedly different tone, as we will see below.

3. Notes

Luther also included notes and explanations in the margins of his edition. Again, this is not a new practice. Medieval manuscripts frequently contain quotations from theologians or glosses, i.e., brief explanatory and interpretive notes throughout the text. But Luther’s goal is not to repeat the best teaching and instruction of the past. His notes also reflect his goal of helping the reader trust in Christ and the Gospel. For example, this is an image of Romans 3. Notice how the margins are completely fullwidth with about 75 percent Bible and 25 percent Luther.

Luther’s marginal notes took almost almost a quarter of the page. Photo

You can almost hear Luther pleading with the reader in the margin:

Note well that he says you are all sinful, etc. This is the chief thing and the central place of the epistle and the whole of the Scriptures. Namely, that all are sinful who are not redeemed by the blood of Christ and justified by faith. So grasp this text, because according to it all work, merit, and deeds remains God’s pure gift and honor (Ps. 84:11).

4. Luther’s New Testament Canon

Perhaps most controversially, Luther arranged the sequence of the New Testament writings to reflect his views of the clarity with which those books taught the Gospel. The table of contents for this New Testament reflects this clearly.

The list of books for Luther’s New Testament. Photo

All twenty-seven books of the New Testament are present. But only twenty-three books are numbered. Four books are shifted to the end, unnumbered, as a kind of appendix: Hebrews, James, Jude, and Revelation. Luther placed these books last and added prefaces warning readers about certain sections and passages. To Luther, Hebrews seemed to disallow repentance if one sins after baptism; Jude seemed to be an epitome of 2 Peter (with the addition of non-canonical stories); the Apocalypse is “a concealed and mute prophecy and has not yet come to the profit and fruit which it is to give to Christians.” James, however, receives the harshest criticism. It is “flatly opposed to St. Paul and all the rest of Scripture, it ascribes righteousness to works.” Luther concludes that “This fault leads to the conclusion that it is not the work of any apostle” and it is, therefore, an “epistle of straw.”

This arrangement of the New Testament writings is unique to Luther, apart from his influence on William Tyndale’s New Testament translation of 1525, which in turn is followed in English by Coverdale (1535) and Matthew (1537). From the Great Bible of 1539, however, all English translations use the sequence of books commonly known today. Luther, though, retained this format through the last edition of the Lutherbibel published during his lifetime in 1545.

A Bible for the People

Luther sought to create a Bible not to be a bestseller, but one through which individuals would hear God speaking directly to them in their world, in their time, in their place. A Bible that was God’s Word—more accurately, God speaking. Not a passive tool that sits on a shelf or a table or even altar. But an active, speaking, seeking, hearable, and impactful speaking of God. Everything Luther does, from the style of translation to the title page to the sequence of the books to notes is designed to bring people to Christ.

This is a Bible designed to not only make the words of the Bible clear, but to make the message of the Bible clear, the message of the Bible that Luther and the Wittenberg School had come to be convinced of: that Christ alone, and his work, received by faith alone, was what God was speaking in his word.

Notes

  • 1
    Ein sendbrief D. M. Luthers. Von Dolmetzschen und Fürbit der heiligenn (1530)

Filed Under: Canon, New Testament, Translation Tagged With: Martin Luther, Reformation

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